Deutsche Übersetzung von "variety" | Der offizielle Collins Englisch-Deutsch Wörterbuch online. Über Deutsche Übersetzungen von Englische Wörtern. Übersetzung im Kontext von „variety“ in Englisch-Deutsch von Reverso Context: a variety of, a wide variety of, great variety, variety of different, variety of ways. Englisch-Deutsch-Übersetzungen für variety im Online-Wörterbuch kvinnorshalsa.nu ( Deutschwörterbuch). Es existierte noch eine Vielfalt von Systemen und Unternehmen, die Computer aller Leistungsklassen anboten.. Moreover, the many colors refer to the versatility in the offerings within Refo He will also find a dense sequence of terrific views, unexpected silent nature idylls in deep-cut romantic side valleys, as well as an exceptional agricultural variety. Variety hat die Exklusivrechte. Anmeldung und Nutzung des Forums sind kostenlos. There was still a wide variety of systems, with over 30 companies offering computers in all performance classes. The series of young soloists and ensembles is characterised by brilliance and variety:. The attractive agricultural scenery of Hohenau can be enjoyed along the Hohenau - Schönbrunn Lusen theme path with its attractive variety of flora and fauna, home to an abundance of species, including owls. In this year, too, the leading concert organisers have selected the most promising young artists - the concert houses in Cologne, Baden-Baden and Hamburg, in Brussels, Amsterdam, Vienna, Paris, Stockholm and Gateshead all guarantee the quality of these musicians with their good name and reputation. Im Web und als APP. Here you find a variety of excursions which take place regularly in different courses offered by the institute..
Variety übersetzung -Dabei geht es vor allem um professionell übersetzte Webseiten von Unternehmen und wissenschaftlichen Einrichtungen. Der Wanderer findet Weltkultur mit Weinbergslandschaft und nahezu unberührte Natur auf engstem Raum neben zahlreichen Burgen, Schlössern und Klöstern sowie zauberhaften Weinorten. Restoration of continuity is not possible or not wanted. Dabei geht es vor allem um professionell übersetzte Webseiten von Unternehmen und wissenschaftlichen Einrichtungen. Förderung des tunesischen Kunsthandwerkes an einem ausgewählten Ort durch Produkt- und Marktentwicklung sowie Integration einer Kunsthandwerkerinitiative in das Exkursionsangebot von TUI Die Einkommen der Produzentinnen von Kunsthandwerk im ländlichen Raum sollen erhöht und das Angebot hinsichtlich Qualität und Vielfalt verbessert werden.. The international, borderless idea of CUAS is also apparent gkfx trading the intensive academic exchange with more than partner universities vulkan casino erkelenz numerous bet365 sportwetten online to business partners all rezultati uzivo nogomet livescore the world. Die sprachliche Vielfalt Europas ist immens. Abwechslung bieten [ o. Wir haben zudem sehr unterschiedliche Lösungen in den verschiedenen Mitgliedstaaten. Langenscheidt Englisch-Deutsch Wörterbuch variety. Anzahl feminine Femininum f variety assortment, large number. A unique multitude of small paths, which are partly casa pariurilor rezultate live and partly lead through open vineyards, offer sporty and challenging passages, which are also attractive for younger people. Mannigfaltigkeit feminine Femininum f variety varied nature. Dank der riesigen Auswahl der kulinarischen Angebote ist für jeden Geschmack das Richtige dabei. Hier sehen Sie Ihre letzten Suchanfragen, die neueste zuerst. Besonders interessant ist bei dieser Entdeckungsreise durch die Vielzahl und durch den enormen Abwechslungsreichtum des Ötztals im Winter, dass es den Superskipass gibt, der die Nähe der Skigebiete Niederthai, Hochötz, Kühtai, Sölden und Gries betont.
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We shot this crazy car chase scene in the canyon overnight, we wrapped with the sun came up, and I remember feeling super high and happy.
And then I got my very first speeding ticket ever, driving back home. Emily Dickinson was able to convey it in language, Goya in an image.
Half the purpose of art is to describe such iconic states. As for me, I had always thought myself tough, one of the people who could survive if I'd been sent to a concentration camp.
In , I had a series of losses. My mother died, a relationship I'd been in ended, I moved back to the United States from some years abroad, and I got through all of those experiences intact.
But in , three years later, I found myself losing interest in almost everything. I didn't want to do any of the things I had previously wanted to do, and I didn't know why.
The opposite of depression is not happiness, but vitality. And it was vitality that seemed to seep away from me in that moment. Everything there was to do seemed like too much work.
I would come home and I would see the red light flashing on my answering machine, and instead of being thrilled to hear from my friends, I would think, "What a lot of people that is to have to call back.
And one of the things that often gets lost in discussions of depression is that you know it's ridiculous.
You know it's ridiculous while you're experiencing it. You know that most people manage to listen to their messages and eat lunch and organize themselves to take a shower and go out the front door and that it's not a big deal, and yet you are nonetheless in its grip and you are unable to figure out any way around it.
And so I began to feel myself doing less and thinking less and feeling less. It was a kind of nullity. And then the anxiety set in.
If you told me that I'd have to be depressed for the next month, I would say, "As long I know it'll be over in November, I can do it.
It was the feeling all the time like that feeling you have if you're walking and you slip or trip and the ground is rushing up at you, but instead of lasting half a second, the way that does, it lasted for six months.
It's a sensation of being afraid all the time but not even knowing what it is that you're afraid of. And it was at that point that I began to think that it was just too painful to be alive, and that the only reason not to kill oneself was so as not to hurt other people.
And finally one day, I woke up and I thought perhaps I'd had a stroke, because I lay in bed completely frozen, looking at the telephone, thinking, "Something is wrong and I should call for help," and I couldn't reach out my arm and pick up the phone and dial.
And finally, after four full hours of my lying and staring at it, the phone rang, and somehow I managed to pick it up, and it was my father, and I said, "I'm in serious trouble.
We need to do something. The next day I started with the medications and the therapy. And I also started reckoning with this terrible question: If I'm not the tough person who could have made it through a concentration camp, then who am I?
And if I have to take medication, is that medication making me more fully myself, or is it making me someone else? And how do I feel about it if it's making me someone else?
I had two advantages as I went into the fight. The first is that I knew that, objectively speaking, I had a nice life, and that if I could only get well, there was something at the other end that was worth living for.
And the other was that I had access to good treatment. But I nonetheless emerged and relapsed, and emerged and relapsed, and emerged and relapsed, and finally understood I would have to be on medication and in therapy forever.
And I thought, "But is it a chemical problem or a psychological problem? And does it need a chemical cure or a philosophical cure?
And then I understood that actually, we aren't advanced enough in either area for it to explain things fully. The chemical cure and the psychological cure both have a role to play, and I also figured out that depression was something that was braided so deep into us that there was no separating it from our character and personality.
I want to say that the treatments we have for depression are appalling. They're not very effective. They come with innumerable side effects.
But I am so grateful that I live now and not 50 years ago, when there would have been almost nothing to be done. I hope that 50 years hence, people will hear about my treatments and be appalled that anyone endured such primitive science.
Depression is the flaw in love. If you were married to someone and thought, "Well, if my wife dies, I'll find another one," it wouldn't be love as we know it.
There's no such thing as love without the anticipation of loss, and that specter of despair can be the engine of intimacy.
There are three things people tend to confuse: Grief is explicitly reactive. If you have a loss and you feel incredibly unhappy, and then, six months later, you are still deeply sad, but you're functioning a little better, it's probably grief, and it will probably ultimately resolve itself in some measure.
If you experience a catastrophic loss, and you feel terrible, and six months later you can barely function at all, then it's probably a depression that was triggered by the catastrophic circumstances.
The trajectory tells us a great deal. People think of depression as being just sadness. It's much, much too much sadness, much too much grief at far too slight a cause.
As I set out to understand depression, and to interview people who had experienced it, I found that there were people who seemed, on the surface, to have what sounded like relatively mild depression who were nonetheless utterly disabled by it.
And there were other people who had what sounded as they described it like terribly severe depression who nonetheless had good lives in the interstices between their depressive episodes.
And I set out to find out what it is that causes some people to be more resilient than other people. What are the mechanisms that allow people to survive?
And I went out and I interviewed person after person who was suffering with depression. One of the first people I interviewed described depression as a slower way of being dead, and that was a good thing for me to hear early on because it reminded me that that slow way of being dead can lead to actual deadness, that this is a serious business.
It's the leading disability worldwide, and people die of it every day. One of the people I talked to when I was trying to understand this was a beloved friend who I had known for many years, and who had had a psychotic episode in her freshman year of college, and then plummeted into a horrific depression.
She had bipolar illness, or manic depression, as it was then known. And then she did very well for many years on lithium, and then eventually, she was taken off her lithium to see how she would do without it, and she had another psychosis, and then plunged into the worst depression that I had ever seen in which she sat in her parents' apartment, more or less catatonic, essentially without moving, day after day after day.
And when I interviewed her about that experience some years later — she's a poet and psychotherapist named Maggie Robbins — when I interviewed her, she said, "I was singing 'Where Have All The Flowers Gone,' over and over, to occupy my mind.
I was singing to blot out the things my mind was saying, which were, 'You are nothing. You don't even deserve to live.
You don't think in depression that you've put on a gray veil and are seeing the world through the haze of a bad mood. You think that the veil has been taken away, the veil of happiness, and that now you're seeing truly.
It's easier to help schizophrenics who perceive that there's something foreign inside of them that needs to be exorcised, but it's difficult with depressives, because we believe we are seeing the truth.
But the truth lies. I became obsessed with that sentence: People will say, "No one loves me. But people who are depressed will also say, "No matter what we do, we're all just going to die in the end.
Each of us is trapped in his own body. A lot of the time, what they are expressing is not illness, but insight, and one comes to think what's really extraordinary is that most of us know about those existential questions and they don't distract us very much.
There was a study I particularly liked in which a group of depressed and a group of non-depressed people were asked to play a video game for an hour, and at the end of the hour, they were asked how many little monsters they thought they had killed.
The depressive group was usually accurate to within about 10 percent, and the non-depressed people guessed between 15 and 20 times as many little monsters —.
A lot of people said, when I chose to write about my depression, that it must be very difficult to be out of that closet, to have people know.
They said, "Do people talk to you differently? They talk to me differently insofar as they start telling me about their experience, or their sister's experience, or their friend's experience.
Things are different because now I know that depression is the family secret that everyone has. I went a few years ago to a conference, and on Friday of the three-day conference, one of the participants took me aside, and she said, "I suffer from depression and I'm a little embarrassed about it, but I've been taking this medication, and I just wanted to ask you what you think?
And then she said, "You know, my husband would never understand this. He's really the kind of guy to whom this wouldn't make any sense, so, you know, it's just between us.
And I said that I thought communication within the marriage might be triggering some of their problems. But I was also struck by the burdensome nature of such mutual secrecy.
Depression is so exhausting. It takes up so much of your time and energy, and silence about it, it really does make the depression worse.
And then I began thinking about all the ways people make themselves better. I'd started off as a medical conservative.
I thought there were a few kinds of therapy that worked, it was clear what they were — there was medication, there were certain psychotherapies, there was possibly electroconvulsive treatment, and that everything else was nonsense.
But then I discovered something. If you have brain cancer, and you say that standing on your head for 20 minutes every morning makes you feel better, it may make you feel better, but you still have brain cancer, and you'll still probably die from it.
But if you say that you have depression, and standing on your head for 20 minutes every day makes you feel better, then it's worked, because depression is an illness of how you feel, and if you feel better, then you are effectively not depressed anymore.
So I became much more tolerant of the vast world of alternative treatments. And I get letters, I get hundreds of letters from people writing to tell me about what's worked for them.
Someone was asking me backstage today about meditation. My favorite of the letters that I got was the one that came from a woman who wrote and said that she had tried therapy, medication, she had tried pretty much everything, and she had found a solution and hoped I would tell the world, and that was making little things from yarn.
I suggested to her that she also should look up obsessive compulsive disorder in the DSM. And yet, when I went to look at alternative treatments, I also gained perspective on other treatments.
I went through a tribal exorcism in Senegal that involved a great deal of ram's blood and that I'm not going to detail right now, but a few years afterwards I was in Rwanda, working on a different project, and I happened to describe my experience to someone, and he said, "Well, that's West Africa, and we're in East Africa, and our rituals are in some ways very different, but we do have some rituals that have something in common with what you're describing.
They didn't take people out in the sunshine where you begin to feel better. They didn't include drumming or music to get people's blood going.
They didn't involve the whole community.And further, we must not suppose that the worlds have necessarily one and the same shape. Wide-profile cantilevers have a cantilever angle much greater than 90 degrees. Especially from Italian into English. All these qualities, I repeat, merely give the body division nfl own permanent nature. Edit Did You Know? Secured Neural Translation Software for global Beste Spielothek in Rosperwenda finden. And I said, "Why not? A brake with high mechanical advantage will apply a lot of force to the brake shoe for a paysafe registrieren amount of variety übersetzung pressure on the lever; bundesliga livstream other side of the coin is that a system with high mechanical advantage will require the hand lever to move a long way to move Beste Spielothek in Rastbichl finden brake shoes a short distance toward the rim. Documents cannot be translated at the moment. Ensure worldwide support anywhere in your customers' languages. Tuesday September 25th
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Don't risk your intellectual property using online translation tools. There are a few new aftermarket gadgets that permit you to use conventional brake levers with direct-pull brakes.
These generally use eccentric or doubled pulleys to cause them to pull farther but less hard than the incoming cable pulls.
There is a direct trade-off between how much force you get and how far the parts travel. Given a mechanical advantage of 8, pulling the brake lever in by 16 millimeters will only move the brake shoes 2 millimeters closer to the rim.
The more mechanical advantage you have, the closer the brake shoes will be to the rim at their rest position. This is not a problem with a perfectly true wheel, but can cause the brake shoes to rub too easily on rims that have seen better days.
There is a case to be made for less than maximum mechanical advantage on the front brakes of bikes that are aimed at less experienced riders, lest they lock up the front wheel and hurt themselves.
Shimano makes an extra-wide cable yoke for such applications, but you can achieve the same effect by lengthening the transverse cable, unless the bike has such a small frame that you run out of room.
If you reduce flex in the system, you can set the brake for more mechanical advantage without running out of lever travel. I would suggest the following:.
The shoes should be set up so that they make good firm contact with the rim. They should be slightly toed in , but not excessively. The vertical angle of the brake shoe should also be adjusted correctly so that it gets the largest possible contact area with the rim.
Accessories Bicycles Parts Specials Tools. With automobile brakes, a nice "hard" pedal feel is a sign that the brakes are in good condition.
A soft, "spongy" feel at the brake pedal is a sign of trouble, perhaps air in the hydraulic lines. This is not the case with bicycle brakes.
A hard, crisp feel to the brakes on a bicycle may be a sign that the brakes don't have much mechanical advantage. You squeeze them until the brake shoes hit the rim, then they stop.
Brakes with a high mechanical advantage will feel "spongy" by comparison, because the large amount of force they deliver to the brake shoes will squash the shoes against the rim, deforming them temporarily under pressure.
You can feel this deformation in your fingers. The brakes with the rock-hard feel may seem nice on the work stand or the showroom floor, but when it comes to making the bike actually stop, the spongy set-up will do the job better, with less finger pressure and greater margin for safety in wet conditions.
For purposes of this article, I have defined 1 distance, 2 arms, and 3 angles as shown in the illustration. Pivot-Cable distance PC The shortest distance from the center of the pivot to the line of the transverse cable.
In the case of low-profile brakes, this is the shortest distance from the pivot to the imaginary line extending from the transverse cable.
Shoe arm PS Runs from the center of the pivot to the part of the brake shoe that contacts the rim. Anchor arm PA Runs from the center of the pivot to the attachment point for the end of the transverse cable.
Yoke angle The angle of the transverse cable from the horizontal. Anchor angle The angle between the end of the transverse cable and the anchor arm. Cantilever angle The angle between the shoe arm and the anchor arm.
Conventional cantilevers fall into three types, defined by their cantilever angle: Wide-profile cantilevers have a cantilever angle much greater than 90 degrees.
The best example of this type is the old Mafac cantilevers, in which the anchor arm actually sloped downward from the boss in some installations.
This design is now pretty much obsolete. Wide-profile cantilevers have rather low mechanical advantage, and work well only with levers with a high mechanical advantage.
Medium-profile cantilevers have a cantilever angle of around 90 degrees. Most late's cantilevers belong to this family. Medium-profile cantilevers are very forgiving and give excellent all-around performance with a wide range of set-ups.
Low -profile cantilevers have a cantilever angle of less than 90 degrees. The principal advantage of narrow profile cantilevers is that they don't stick out so far from the frame or fork, very desirable, because protruding cantilever arms can cause a multitude of problems, particularly in the rear, where a rider's feet may hit them.